Treading the line between Inspiration and Plagiarism

Every writer is inspired by another’s creativity, it’s just inevitable, yet everyone wants to have an original thought or idea, and no one wants to plagiarize, unless they are specifically writing fanfiction, but even that, as E.L. James has proven with her Fifty Shades series, originally a Twilight fanfiction, can be considered original enough with the proper tweaks.

For the record, the formal definition of plagiarism according to google dictionary is as follows:

“the practice of taking someone else’s work or ideas and passing them off as one’s own”

That’s pretty vague and the line separating inspiration and plagiarism is fuzzy at best.  Obviously everyone has their own ideas and concerns about the line, and I can’t tell you how many times I have read a book and thought that it reminded me of another book, or that certain descriptions or names sounded really familiar to others in similar genres, as I’m sure you have too.  Is that plagiarism?

Well, I’m going to go through a few tips I use when I draw inspiration from other authors, and how I ensure that I don’t cross that line into plagiarism or some other muddled sibling.  And I’ll do it with an example.

One of the main sources of frustration I’ve personally encountered with my novel Isle of Elandia is writing battle scenes.  So, I decided to listen to an audiobook of the Iliad since it is one entire battle and one of the greatest books ever.

The Iliad is written so that the characters have unique personalities, the battle is expertly choreographed and visual, and it’s very heavy on the gore and details, I can fully immerse myself in the battle for Troy and that’s what I want in my own book!  So how can I do that without plagiarizing?

Firstly, it’s important to recognize the differences between my novel and the Iliad, and every author needs to understand the same when they are drawing inspiration from another author.  For my own part, I don’t really want to drag out the battle scene, especially after several authors in my critique group say they skip battles that drag on and on, even when reading their favorite authors or series.  Obviously this point alone will make it a challenge to plagiarize, since a book length battle such as the Iliad is already far different than a mere chapter.

That’s honestly the biggest tip, recognize the differences between your novel and your favorite author’s.

Rather than copy battle verbiage or incorporate similar specifics, which would be very out of place in my novel in addition to plagiarism, zeroing in on methods the author used to draw in the reader and further the plot is an effective way to draw inspiration.  For example, at one point in the Iliad, the Trojans focus their attack on one part of the wall guarding the Greeks’ ships, which not only added strategy into the battle but also furthered the plot, since once the wall came down it introduced a whole new plethora of emotions, battles, and hero clashes, and it focused the heroes on an attainable goal for a short period.

The inspiration that can be drawn here in my own battle scene is to focus my heroes on a goal within the overall battle, such as sinking a particular warship, destroying a battering ram before it breaks down the gate, or some other strategic sabotage that will introduce areas where I can expand character development, further along my unique plot, and keep my readers’ interest.  My one battle scene is a scene, not a book, and because of this fact, adding extra details, gore, and lengthy descriptions of individual fights –while that drew me into the Iliad and made me feel like I was on the battlefield– it just will not work for my story because the purpose of my book is not to glorify war, and neither is my battle scene.  My battle scene’s goal is just to destroy this warship.

Sidebar:  I think too often authors try to describe too much in scenes, and some of it is more fluff than plot thickening and is due in part to trying to replicate another author’s ideas to accomplish the same affect and achieve the same success.  However, due to the fundamental differences between the two novels, it doesn’t have the same affect on your novel, and it’s borderline plagiarism and will lose your reader.  So again, recognize the differences, capitalize on them, and expand them in your novel.

So to summarize, plagiarism and inspiration can sometimes seem like a fine line.  But the first step to defining that line is to recognize the differences between your novel and the one you are drawing inspiration from.  Once you do, capitalize on those differences throughout your book.  Analyze the methods your favorite author used to keep your interest rather than replicating exactly how they did it.  Avoid sharing specifics in common, and avoid adding in extra details that don’t further along your plot.  Just because it worked for them, doesn’t mean it will work for you, and most likely it won’t.

If you find that there aren’t that many differences to capitalize on or that they are so minor (like only names or colors) that they can be overlooked, then it may be time to re-evaluate your novel.

Best of luck writing!

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Author: MJ Pankey

MJ is a writer and writing consultant devoted to her muse and to helping other writers gain confidence, overcome obstacles, and unleash the story within. She offers multiple services on her platform, mjpankey.com, and creates helpful content for writers on her youtube channel.

One thought on “Treading the line between Inspiration and Plagiarism”

  1. Need I remind you about my opinions on plagiarism? Probably not. It’s a legal thing. It’s about money, not creativity. It’s stifles improvement of ideas under the premise of promoting new ones. Besides, the Iliad is out of copyright by AT LEAST 2 or 3 years. Copy and improve. Do I need to cite examples of improvements of the past? I called Homer up on my Ouija board last night. He said he won’t sue you. Have fun. 😎

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