Ultimate Writing Tool: The Writer’s Muse Focus Deck

Let me tell you a story…

My name is MJ and I’ve been in love with storytelling since I was a child. 

I never had trouble coming up with a rough plot or concepts for my stories, but once I started the actual writing part, I would always come to a place in the story where I would realize I hadn’t worked out an important detail. So, I would backtrack and try to weave it in. More often than not, this caused a snowball of issues that would quickly become overwhelming, and I would end up starting over completely from scratch or abandoning the story altogether.

So. Frustrating. 

Does this sound familiar?

To help me figure out where I was going wrong, I started the Augusta Writer’s Critique Group on Meetup in August 2018 to collaborate with other writers, learn from them, share my experiences, and support a community that loves words and assembling them into sentences as much as I do. Now boasting over 550 members, the Augusta Writer’s Critique Group has given me the opportunity to work with many writers who have become successfully published authors. 

Augusta Writer’s Critique Group

And it’s also given me the chance to work alongside writers who get stuck just like me.

My experience as a critique host has helped me to pinpoint the key questions that successful writers answer during their planning stage and unsuccessful writers do not. 

The Writer’s Muse Focus Deck was born!

 I had 3 basic principles in mind when I was forming my vision for this project. 

1) I wanted to make a product that was straightforward and simple to use for any genre of fiction. 

I’ve acquired a lot of writing tools over the years, but a common problem in all of them was they were overcomplicated and hard to keep organized, not applicable to the genre I was writing, and most were too jargony. I found myself looking up more terms to understand those tools than doing actual research for my novel. 

Another problem, and perhaps the most impactful, was that none of these tools took my unique writing style into account, and I found the rigidness of their application very stunting for my Muse, which only added to my frustration.

The Writer’s Muse Focus Deck is simple and easy to use.

There are 54 cards, comprised of eight categories shared across all genres of fiction: 

  • Muse
  • Plot
  • Main Character
  • Side Characters
  • Antagonist
  • Macro-Level Worldbuilding
  • Micro-Level Worldbuilding
  • Exercises

The cards are color-coded by category and numbered 1-54 so you can tailor them to YOUR unique writing style:

1) Go one by one from start to finish for a more structured approach

2) Select the exact color-coded category for a targeted approach

3) Or shuffle the deck for a spontaneous or randomized approach

Whether you’re writing a children’s picture book, a gruesome horror, a complex high fantasy world, or whichever section of the bookstore you imagine your novel displayed, the Writer’s Muse Focus Deck’s questions are applicable to all genres. 

2) I wanted to make a product that would be useful for both experienced authors and new writers alike

The biggest obstacle for new writers is not having a clue what questions to ask to create cohesive narrative and compelling characters, or to introduce page-turning tension into the story to hook readers and keep them engaged until the very last word. 

Even as an experienced writer, I still need a focus; a one-stop shop to invoke my Muse and pour my inspiration out into a cohesive, complete, and clear path to novel writing success. 

When it boils down to it, writers just want to write, to complete novels and get them out into the world for reader consumption. Spending weeks or months eeking out the details of a plot or characters, then finding out halfway through a draft that something important was overlooked and major rewrites are needed to resolve them is a nonstarter. 

The Writer’s Muse Focus Deck is a smooth, fast, repeatable process that all writers can use to iron out the important details and get writing with confidence.

The deck’s eight color-coded categories address critical elements of storytelling shared across all genres of fiction. No matter how complex your story, this deck is specific enough to uncover the finer details, and high level enough to reuse multiple times in your planning stage to address more complexities if needed.

  • Four separate planets? Run through the Macro-level worldbuilding questions for each one. 
  • Eight main characters? The Main Character cards will enable you to give each one their own unique voice. 
  • Six antagonists? The Antagonist cards will help you sort out all of their devious intentions. 

3) I wanted to make a product that could be valuable for every stage of the writing process

As an experienced writer, I fully understand that a first draft is not a perfect specimen, no matter how meticulous your planning stage or process is. Once you start writing, it’s easy to get caught up in the excitement of the story and move your fingers faster than your brain can keep up. A few things are bound to need a bit more fleshing out after that first draft is done.

That’s why I also wanted a product that would help writers revise their first draft, and pinpoint exactly what needs more development to polish their efforts into something that’s ready to send to an editor, a beta reader, or an agent.  

The Writer’s Muse Focus Deck lets you easily identify areas in your narrative that need more development so you can get to work on your next revision with a clear focus. 

So where am I in the production process?

The Kickstarter has officially launched!!!!! And you can see it for yourself by clicking here: Kickstarter Campaign

Watch the video!

The questions are written, and the vendor who will be printing them selected. 

The decks pictured in the photographs above are prototypes

I’m still narrowing down the cardstock I want the cards printed on. I have experimented with two different cardstock options so far: smooth and linen. 

The linen cardstock is by far the more durable and pleasant to touch than the smooth, but it’s slightly more expensive. 

I’m waiting on a third prototype made of eco-herbage cardstock to arrive to determine if the durability is up to the standards required for novelists who will be using this product again and again. 

Follow the Kickstarter to be updated when I receive the eco-herbage prototype and compare all the options.

Pledge your support for this product on Kickstarter and reserve your Writer’s Muse Focus Deck to experience how this game-changing card deck can help you focus your muse and get writing!!!

Available on Kickstarter!

Why You Shouldn’t Let Readers Read Your First Draft

“Hey, you like reading books, do you want to read mine?”

This might be the worst question you ever want to ask someone as a writer.

Why?

Because readers are expecting your book to be the same quality that they are used to reading. They’re expecting a fully polished manuscript: publish ready, grammar and spelling error-free, edited, streamlined, underwritten, overwritten, a killer cover. You get the picture.

So the reason why “Aunt Sal” hasn’t gotten back to you about your book is probably because, to be brutally honest, she thinks it sucks and doesn’t want to hurt your feelings.

And it probably does suck according to her standards of read-worthy manuscripts.

And on the opposite end, for those people who actually read it and are honest with you about it, it can be very hurtful to hear that the book you have poured blood, sweat, tears, and a ton of time and soul into is “boring” or “slow” or “full of spelling errors” or “I didn’t really connect with the characters” or something similar.

Trust me, I’ve been there, experienced both of these scenarios and a bunch in between too. And I’m hear to tell you:

Your manuscript doesn’t suck.

It’s just not finished yet. You have the bones, some of the vital organs, but the flesh is still inside your head, and you need to get that onto the page, because that’s what’s keeping your readers from experiencing your book the way you want them to. The way you experience it in your head.

“Well. Who do I get to read it then?”

Find a Writer.

Writers appreciate the writing process. They know what a draft looks like. More important, they know what a draft is missing.

Writers can pinpoint exactly where you need to beef it up to make it readable. They’re not looking at your manuscript as publish ready, they’re looking at it as a work in progress, and this is the most helpful perspective one can have when reading your draft.

Writers are not shocked or offended by grammar errors, plot holes, or character inconsistencies, but they are honed into them and can spot them so you can fix them. Sometimes, writers can have great suggestions on how you can rework these problem areas to make your manuscript really shine.

So, when you have “completed” your novel and you’re feeling super accomplished and wildly excited to share your masterpiece, don’t give it to a “reader” to read. Or a family member. Their feedback is unreliable, probably less than honest, they might not read it at all, and they don’t understand how to tell you constructively where your manuscript needs more polish.

Find a writer. A critique group. A freelance editor. Or a designated beta reader (they are also not expecting perfection). Each of these options vary in price from free to well over several grand, with different benefits and setbacks to each one. All of them are far more beneficial than Aunt Sal and will offer you much needed constructive feedback.

Happy Writing!

~MJ

Who is the most beneficial person to read your first draft?
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