You know how you try clothes on before deciding what to wear on a date? Do you iron those clothes before holding them in the mirror? I hope not, because that’ll be like undoing your pants to fart. Yet that’s how most writers tend to approach the first draft. They iron their clothes, spritz on […]How Drafting Longhand Can Enhance Your Writing
Write a scene where your character encounters water. Describe how the water interacts with the environment and how it affects your character. Does it worry them? Terrify them? Soothe them?
“Hey, you like reading books, do you want to read mine?”
This might be the worst question you ever want to ask someone as a writer.
Because readers are expecting your book to be the same quality that they are used to reading. They’re expecting a fully polished manuscript: publish ready, grammar and spelling error-free, edited, streamlined, underwritten, overwritten, a killer cover. You get the picture.
So the reason why “Aunt Sal” hasn’t gotten back to you about your book is probably because, to be brutally honest, she thinks it sucks and doesn’t want to hurt your feelings.
And it probably does suck according to her standards of read-worthy manuscripts.
And on the opposite end, for those people who actually read it and are honest with you about it, it can be very hurtful to hear that the book you have poured blood, sweat, tears, and a ton of time and soul into is “boring” or “slow” or “full of spelling errors” or “I didn’t really connect with the characters” or something similar.
Trust me, I’ve been there, experienced both of these scenarios and a bunch in between too. And I’m hear to tell you:
Your manuscript doesn’t suck.
It’s just not finished yet. You have the bones, some of the vital organs, but the flesh is still inside your head, and you need to get that onto the page, because that’s what’s keeping your readers from experiencing your book the way you want them to. The way you experience it in your head.
“Well. Who do I get to read it then?”
Find a Writer.
Writers appreciate the writing process. They know what a draft looks like. More important, they know what a draft is missing.
Writers can pinpoint exactly where you need to beef it up to make it readable. They’re not looking at your manuscript as publish ready, they’re looking at it as a work in progress, and this is the most helpful perspective one can have when reading your draft.
Writers are not shocked or offended by grammar errors, plot holes, or character inconsistencies, but they are honed into them and can spot them so you can fix them. Sometimes, writers can have great suggestions on how you can rework these problem areas to make your manuscript really shine.
So, when you have “completed” your novel and you’re feeling super accomplished and wildly excited to share your masterpiece, don’t give it to a “reader” to read. Or a family member. Their feedback is unreliable, probably less than honest, they might not read it at all, and they don’t understand how to tell you constructively where your manuscript needs more polish.
Find a writer. A critique group. A freelance editor. Or a designated beta reader (they are also not expecting perfection). Each of these options vary in price from free to well over several grand, with different benefits and setbacks to each one. All of them are far more beneficial than Aunt Sal and will offer you much needed constructive feedback.
Who is the most beneficial person to read your first draft?Tweet
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